What are the disadvantages of using a compressor on a vocal as you record it? - disadvantages of using ibm web application server
Whate are the main disadvantages of using compression to record the song as you?
Friday, February 5, 2010
Disadvantages Of Using Ibm Web Application Server What Are The Disadvantages Of Using A Compressor On A Vocal As You Record It?
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1 comments:
Good question!
The two biggest drawbacks for me are: 1) the risk of excessive pressure and 2) (which) the color of the voice.
The voices are very dynamic - they tend to a large volume range from quiet to loud have set. Normally we have to tame it in a song of the work - this is normal. The problems come when the singer was poor microphone / voice command, and fluctuates between too hard and too soft. Too soft and not a good quality of sound, very high and we were able to clip. Cut is bad, especially for voice - so often we use voice compression, if they are registered. It's the same thing with a low - you want a very consistent with the low volume, so a bit of compression, which is not registered as a bad idea, especially for a player who is not used for the 'record in a Studio environment. Drums can especially benefit from compression when recording as well, although we must be careful not to color scales too much or cause "pumping" due to excessive compression.
You & #Unpack 039; t "" - if you are the voice of the squash over the registry, you must Recut, no getting past it. Thus, when recording with an intermediate and secondary school with a good relationship (perhaps 15 dB with a ratio of 1:1.3 to 1:1,2) is not a bad approach. Once again, the microphone control is very important, so the singer must go back a little when the bands, and the engineer takes to the microphone to adjust the seat position ... not on horseback, but setting it at a reasonable level of the situation.
A little paint compressors tone more than others - can be used as a kind of filter. In fact, each component performs the signal by acting as a kind of filter - an important aspect in the registry. Not only minimizing the noise as much as possible, but want to be careful not to break, or take half of the "frequency horn, or something. You might end up doing all this later, low in the mix, but if the voices are too many colors from the get-go, then your options are limited WHENo mixing - you really think your voice, no matter what, but I would not be limited to that. We, the audience actually collected oddities in a vocal performance, even on a subconscious level. Frequency response is a desirable quality is poor or inadequate .... for the final mix So you want to start a relatively undistorted speech, and if the artist needs a solid, as you can get during the mixing.
I want uncompressed minimal, at least if the player / singer is not well familiar with how to record in a studio, and is also so in an effort to improve the signal to, noise. Again, the key is to not overdo it, keep their relatively high threshold (-15dB may be too low for many situations) and their relationships, relatively smooth. His end of the vocal or instrumental compression may be greater than 1:2, but a decision must be taken during the mixing process, not during recording.
Hope that helped!
Saul
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